Before there was CSI, there was one man who saw beyond the crime-and into the future of forensic science. His name was Bernard Spilsbury-and, through his use of cutting-edge science, he single-handedly brought criminal investigations into the modern age. Starting out as a young, charismatic physician in early twentieth-century Britain, Spilsbury hit the English justice system-a...(展开全部)

Before there was CSI, there was one man who saw beyond the crime-and into the future of forensic science. His name was Bernard Spilsbury-and, through his use of cutting-edge science, he single-handedly brought criminal investigations into the modern age. Starting out as a young, charismatic physician in early twentieth-century Britain, Spilsbury hit the English justice system-a...(展开全部)

Before CSI, there was one man who saw beyond the crime, and into the future of forensic science. He was once one of the most famous people in Britain, and, through his use of cutting-edge science, Bernard Spilsbury single-handedly brought criminal investigations into the modern age. Starting out as a charismatic physician in the early 20th century, Spilsbury shook up the Englis...(展开全部)

Before CSI, there was one man who saw beyond the crime, and into the future of forensic science. He was once one of the most famous people in Britain, and, through his use of cutting-edge science, Bernard Spilsbury single-handedly brought criminal investigations into the modern age. Starting out as a charismatic physician in the early 20th century, Spilsbury shook up the Englis...(展开全部)

THE STORY OF FATHERHOOD AND WHAT IT MEANS TO BE A FATHER TODAY, BASED ON A DECADE-LONG STUDY OF NEW AND EXPECTANT FATHERS. Becoming a father is one of most common but also one of the most profoundly life-altering experiences a man can have. It is up there with puberty, falling in love and experiencing your first loss. Fifty years ago a father’s role was assumed to be clear: he...(展开全部)

【格罗塞】 （Ernst Grosse，1862—1927）德国艺术史家、社会学家，现代艺术社会学奠基人之一。曾任弗赖堡大学教授。主要著作有：《艺术的起源》（1894）、《艺术学研究》（1900）等。美学上他主张把哲学美学与艺术科学分离开来，他认为包括艺术在内的精神生活与社会的经济形态之间有密切关系。提倡从社会学、人类学、民族学等多方面对艺术学和艺术史进行研究。他认为艺术科学的真正目的，是对艺术的性质、产生艺术的原因及其效果作全面探讨。艺术活动也是审美活动，它的发展过程或后果都有直接的感情价值，这种感情价值大半是愉快的。所以艺术（或审美）本身也是目的，其它的目的无关紧要。除了艺术活动，还有实际活动（如生产劳动）和游戏活动。实际活动是一种手段，而游戏活动中则介于二者之间。他用社会学的观点深入考察了原始民族的艺术，利用人种史和人类学的资料，阐明艺术起源的...(展开全部)

Some years ago, David Freedberg opened a dusty cupboard at Windsor Castle and discovered hundreds of vividly coloured, masterfully precise drawings of all sorts of plants and animals from the Old and New Worlds. Coming upon thousands more drawings like them across Europe, Freedberg finally traced them all back to a little-known scientific organization from 17th-century Italy ca...(展开全部)

"Bring[s] both entertainment and enlightenment to the subject of how modern philosophical thought challenged the church's doctrine on the relationship between God and man and led to democratic challenges to monarchy and the divine right of kings... Nimbly advance[s] through a little more than a century in fewer than 200 pages, presenting a primer that can instruct those new to ...(展开全部)

The Message of the Alien God and the Beginnings of Christianity

The Message of the Alien God and the Beginnings of Christianity